FREE COURSE

INCLUDED IN ALL-ACCESS

Crafting Visual Essays

Award-winning director Joe Donaldson talks about the series of 3-minute animated films he created for The New Yorker

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Also included in our Team training for 3 or more people.

Learn On Your Own Schedule

Level up your skills on your own timeline. All course materials are available to you 24/7.

3+ Hours

Join Joe Donaldson as he discusses creating 3 short animated films, through more than 3 hours of video content.

Advanced

This is an advanced course, ideal for those looking to go to the next level with their skills.

Course Overview

In this Workshop, award-winning director and founder of Holdframe, Joe Donaldson, talks about the series he created for The New Yorker. We discuss everything from the project’s conceptual development and process, all the way down to the production techniques used in each film. This Workshop offers a unique behind-the-scenes glimpse at what went into creating each of these films on seminal figures: Leonard Cohen, Janelle Monáe, and David Attenborough. Focusing specifically on what decisions were made, why, and what it was like producing 3, nearly 3-minute films, in just 15-weeks.

You Get:

3+ Hours of video content

Exclusive behind the scenes and interviews

Downloadable project files to follow along

Access to our 24/7 online community

Course syllabus.

The importance of process

In this chapter we take a look at how important process is to creating long-form animated content, how to organize your thoughts, and how to present work to the client.

Turning words into pictures

In this chapter we explore how to develop mere words into a rich visual narrative. Most importantly, we look at how to start small and systematically build and develop your ideas.

Setting the tone and art direction

What should it look like, and why? In this chapter, we examine these age-old questions and try to better understand Joe’s process for finding the right solution.

Project organization and process

Regardless of style, managing 2+ minutes of animated content is no laughing matter. In this chapter, we take a look at how this project was organized, what worked, and what didn’t.

The art of economic animation

Sometimes animation is fun, sometimes it’s about survival. In this chapter, we discuss the good, the bad, and the ugly. How can you be uncompromising in your ideas, but still make them manageable?

Not making the same mistake twice

Now it's time to go full circle and take a peek at one of Joe’s early “mistakes,” what was learned, how that informed his process, and how this was applied for the last film in the series.

Meet your instructor.

Joe Donaldson

Creative director

Joe Donaldson has worn many hats from intern all the way through internationally represented director. In present day he splits his time between developing Holdframe, working at Buck, and teaching. And of course, running...

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