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Expression Session:quality(78))
ZLZack Lovatt
ZLZack LovattSchool of Motion All-Access
Become the motion designerstudios fight over.
Every course we've ever made. Unlimited critique from working pros. A worldwide community of 30,000 obsessed with the same frame-by-frame details you are. This is where serious motion designers train.
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Want to learnAfter Effects?
We teach all of the core and emerging tools (including AI) to make sure you're on the cutting edge of motion design. Our instructors are some of the best artists in the industry.
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After Effects:quality(82)){kind=icon}
Blender:quality(82)){kind=icon}
Cavalry:quality(82)){kind=icon}
Cinema 4D:quality(82)){kind=icon}
Figma:quality(82)){kind=icon}
Illustrator:quality(82)){kind=icon}
Octane Render:quality(82)){kind=icon}
Photoshop:quality(82)){kind=icon}
Premiere Pro:quality(82)){kind=icon}
Procreate:quality(82)){kind=icon}
ProtoPie:quality(82)){kind=icon}
Redshift:quality(82)){kind=icon}
Rive:quality(82)){kind=icon}
Substance Painter:quality(82)){kind=icon}
Unreal EngineDesignCompositionColor TheoryTypographyStoryboardingAnimation Principles3D FoundationsCompositingArt DirectionCreative DirectionBusiness of MotionIndustry NormsIllustrationSystems ThinkingBest Practices
Don't skip this
But the software is the easy part.
The reason your work isn't landing isn't that you don't know the buttons. It's timing, taste, composition, design... the why underneath the how. That's what we actually teach. It's also the part AI can't fake.
The Full Catalog
Premium courses and workshops taught by top artists and studios in the industry.
Full courses build the foundation. Workshops are focused, project-based deep dives on a single technique or style... sometimes taught by the studios doing the work. New ones added all the time.
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Lights, Camera, Render:quality(78))
DADavid Ariew
DADavid Ariew:quality(78))
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The Path to MoGraph:quality(78))
JKJoey Korenman
JKJoey Korenman:quality(78))
Level Up:quality(78))
RSRyan Summers
RSRyan Summers:quality(78))
Premiere for Motion Designers:quality(78))
KHKyle Hamrick
KHKyle Hamrick:quality(78))
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:quality(82)){kind=icon}
Rive Academy KickstartJKJoey Korenman
JKJoey Korenman:quality(78))
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UX Animation Essentials:quality(78))
IWIvan Witteborg
IWIvan Witteborg:quality(78))
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Illustration for Motion:quality(78))
SBSarah Beth Morgan
SBSarah Beth Morgan:quality(78))
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Cavalry Kickstart:quality(78))
GSGreg Stewart
GSGreg Stewart:quality(78))
How to Create Brilliant Shots:quality(78))
NDNidia Dias
NDNidia Dias:quality(78))
Photoshop + Illustrator Unleashed:quality(78))
JBJake Bartlett
JBJake Bartlett:quality(78))
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Unreal Engine for 3D Artists:quality(78))
JWJonathan Winbush
JWJonathan Winbush:quality(78))
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Substance Painter for Motion Designers:quality(78))
EHEJ Hassenfratz
EHEJ Hassenfratz:quality(78))
Cinema 4D InsiderEHEJ Hassenfratz
EHEJ Hassenfratz:quality(78))
Unreal Engine for Broadcast DesignJWJonathan Winbush
JWJonathan Winbush:quality(78))
Explainer CampJBJake Bartlett
JBJake Bartlett:quality(78))
The Art of Spontaneous Filmmaking:quality(78))
JEJohan Eriksson
JEJohan Eriksson:quality(78))
Mogrt Mania:quality(78))
MWMorgan Williams
MWMorgan Williams:quality(78))
The Curious Craft of Demo Reel Titles:quality(78))
SSSekani Solomon
SSSekani Solomon:quality(78))
Rive Academy: Volume 2JKJoey Korenman
JKJoey Korenman:quality(78))
Directing Your Dream:quality(78))
SLSofie Lee
SLSofie Lee:quality(78))
The Essential Ingredients to Creating Stylized 3D:quality(78))
JLJonathan Lindgren
JLJonathan Lindgren:quality(78))
VFX for Motion:quality(78))
MCMark Christiansen
MCMark Christiansen:quality(78))
The Client CodeJKJoey Korenman
JKJoey KorenmanExpression SessionZLZack Lovatt
ZLZack LovattLights, Camera, RenderDADavid Ariew
DADavid AriewThe Path to MoGraphJKJoey Korenman
JKJoey KorenmanLevel UpRSRyan Summers
RSRyan SummersPremiere for Motion DesignersKHKyle Hamrick
KHKyle HamrickRive Academy KickstartJKJoey Korenman
JKJoey KorenmanUX Animation EssentialsIWIvan Witteborg
IWIvan WitteborgIllustration for MotionSBSarah Beth Morgan
SBSarah Beth MorganCavalry KickstartGSGreg Stewart
GSGreg StewartHow to Create Brilliant ShotsNDNidia Dias
NDNidia DiasPhotoshop + Illustrator UnleashedJBJake Bartlett
JBJake BartlettUnreal Engine for 3D ArtistsJWJonathan Winbush
JWJonathan WinbushSubstance Painter for Motion DesignersEHEJ Hassenfratz
EHEJ HassenfratzCinema 4D InsiderEHEJ Hassenfratz
EHEJ HassenfratzUnreal Engine for Broadcast DesignJWJonathan Winbush
JWJonathan WinbushExplainer CampJBJake Bartlett
JBJake BartlettThe Art of Spontaneous FilmmakingJEJohan Eriksson
JEJohan ErikssonMogrt ManiaMWMorgan Williams
MWMorgan WilliamsThe Curious Craft of Demo Reel TitlesSSSekani Solomon
SSSekani SolomonRive Academy: Volume 2JKJoey Korenman
JKJoey KorenmanDirecting Your DreamSLSofie Lee
SLSofie LeeThe Essential Ingredients to Creating Stylized 3DJLJonathan Lindgren
JLJonathan LindgrenVFX for MotionMCMark Christiansen
MCMark ChristiansenThe Client CodeJKJoey Korenman
JKJoey KorenmanPhotoshop + Illustrator UnleashedJBJake Bartlett
JBJake BartlettHow to Create Brilliant ShotsNDNidia Dias
NDNidia DiasUX Animation EssentialsIWIvan Witteborg
IWIvan WitteborgCavalry KickstartGSGreg Stewart
GSGreg StewartRive Academy KickstartJKJoey Korenman
JKJoey KorenmanIllustration for MotionSBSarah Beth Morgan
SBSarah Beth MorganPremiere for Motion DesignersKHKyle Hamrick
KHKyle HamrickUnreal Engine for Broadcast DesignJWJonathan Winbush
JWJonathan WinbushLevel UpRSRyan Summers
RSRyan SummersVFX for MotionMCMark Christiansen
MCMark ChristiansenExplainer CampJBJake Bartlett
JBJake BartlettUnreal Engine for 3D ArtistsJWJonathan Winbush
JWJonathan WinbushLights, Camera, RenderDADavid Ariew
DADavid AriewExpression SessionZLZack Lovatt
ZLZack LovattThe Art of Spontaneous FilmmakingJEJohan Eriksson
JEJohan ErikssonCinema 4D InsiderEHEJ Hassenfratz
EHEJ HassenfratzThe Essential Ingredients to Creating Stylized 3DJLJonathan Lindgren
JLJonathan LindgrenThe Curious Craft of Demo Reel TitlesSSSekani Solomon
SSSekani SolomonSubstance Painter for Motion DesignersEHEJ Hassenfratz
EHEJ HassenfratzThe Client CodeJKJoey Korenman
JKJoey KorenmanRive Academy: Volume 2JKJoey Korenman
JKJoey KorenmanThe Path to MoGraphJKJoey Korenman
JKJoey KorenmanMogrt ManiaMWMorgan Williams
MWMorgan WilliamsDirecting Your DreamSLSofie Lee
SLSofie LeePhotoshop + Illustrator UnleashedJBJake Bartlett
JBJake BartlettHow to Create Brilliant ShotsNDNidia Dias
NDNidia DiasUX Animation EssentialsIWIvan Witteborg
IWIvan WitteborgCavalry KickstartGSGreg Stewart
GSGreg StewartRive Academy KickstartJKJoey Korenman
JKJoey KorenmanIllustration for MotionSBSarah Beth Morgan
SBSarah Beth MorganPremiere for Motion DesignersKHKyle Hamrick
KHKyle HamrickUnreal Engine for Broadcast DesignJWJonathan Winbush
JWJonathan WinbushLevel UpRSRyan Summers
RSRyan SummersVFX for MotionMCMark Christiansen
MCMark ChristiansenExplainer CampJBJake Bartlett
JBJake BartlettUnreal Engine for 3D ArtistsJWJonathan Winbush
JWJonathan WinbushLights, Camera, RenderDADavid Ariew
DADavid AriewExpression SessionZLZack Lovatt
ZLZack LovattThe Art of Spontaneous FilmmakingJEJohan Eriksson
JEJohan ErikssonCinema 4D InsiderEHEJ Hassenfratz
EHEJ HassenfratzThe Essential Ingredients to Creating Stylized 3DJLJonathan Lindgren
JLJonathan LindgrenThe Curious Craft of Demo Reel TitlesSSSekani Solomon
SSSekani SolomonSubstance Painter for Motion DesignersEHEJ Hassenfratz
EHEJ HassenfratzThe Client CodeJKJoey Korenman
JKJoey KorenmanRive Academy: Volume 2JKJoey Korenman
JKJoey KorenmanThe Path to MoGraphJKJoey Korenman
JKJoey KorenmanMogrt ManiaMWMorgan Williams
MWMorgan WilliamsDirecting Your DreamSLSofie Lee
SLSofie LeeDon't Guess What's Next
Got goals? Our learning paths will take you there.
Learning Paths connect the right courses in the right order, so you can build momentum without wondering what to take next.
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UX Animation & Interaction
Learn to design product motion that feels useful, polished, and shippable. Start with UX motion strategy and handoff, build the After Effects foundation for precise motion specs and polished assets, then move into Rive for stateful interactions and responsive web-ready experiences.:quality(78))
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Why you're stuck
Every designer you admire got their work torn apart. Daily.
At a studio, a junior gets a senior leaning over their shoulder all day. Too slow. Wrong ease. Cut four frames. Hundreds of corrections a year, on their actual work. That loop is how every animator on the reels you study built their eye.
You've been trying to replace it with tutorials. But you can watch everything ever uploaded and still be missing the only thing that was ever doing the heavy lifting: someone who looks at your shot and tells you why it isn't working.
Practice without feedback is just repetition.
We built the loop.
logo_anim_v1.aeplogo_anim_v2.aeplogo_anim_v3_better.aeplogo_anim_v3_wait_no.aeplogo_anim_v4_final?.aeplogo_anim_v4_FINALfinal.aeplogo_anim_v5_client_notes.aeplogo_anim_v6_timing_fix.aeplogo_anim_v7_FINAL_final.aeplogo_anim_v8_not_final.aeplogo_anim_v9_cut_four_frames.aeplogo_anim_v10_new_ease.aeplogo_anim_v11_less_floaty.aeplogo_anim_v12_more_snap.aeplogo_anim_v13_senior_notes.aeplogo_anim_v14_better_overlap.aeplogo_anim_v15_tracking_fix.aeplogo_anim_v16_color_pass.aeplogo_anim_v17_real_final.aeplogo_anim_v18_no_seriously.aeplogo_anim_v19_thursday_review.aeplogo_anim_v20_client_likes_it.aeplogo_anim_v21_tiny_nudge.aeplogo_anim_v22_approvedish.aeplogo_anim_v23_export_fix.aeplogo_anim_v24_last_last.aeplogo_anim_v25_OMG_SHIPPED.aepThe feedback loop
Personalized, tactical feedback on all of your work.
Every project you submit gets reviewed and critiqued by a working professional. Not a forum post. Not an AI. A real artist who'll tell you exactly what's wrong and how to fix it.
Never learn alone
A school should feel like there are people inside it.
Ask for notes at midnight. Find collaborators. Spot job leads. Celebrate wins. Get pulled back into momentum by people who care about the same frame-by-frame details you do.
Brit Kohls
Genesis Lobos
Anne Kahn
Yusei Matsutomo
Ariana Jimenez
Michael Lubrin
Jose Andres Hernandez Gonzales
Messiahphon Worrapho
Valerie Galvan
Sumon Molla
Joey Myers
Nikunj Shukla
Branden Middendorf
Adil Kamal
Julien Ramires
Jason Knoetze
Jonnathan Rivas
Ece Eroglu
Sebastian Aparicio Mac Lean
Sara Frisk
Juliana Urrego
Alexandra Tichanowicz
Gabriel Peloso
Talia Jorgenson
Christy Pessagno
Kat Tarsouli
Fernando Gonzalez
Alex Bozkho
Miritte Ben Yitzchak
Max Kurtius
Michelle Sweeney
Vanessa Kesselring
Bjorn Scholma35,000 alumni.4,500+ members learning right now.
Isidora RamirezShare Your Work
Far Out Games
Pretty happy with this assigment c:
Michael LubrinShare Your Work
My first homework!
Finally giving myself time to learn After Effects. I’ve been loving the Kickstart course so far. Here’s my first homework 😁
Alex WalshDiscussion
Using Ai to make orthographic views for 3D modeling
I have this goal to 3D model the turtle van from the ninja turtles. There are some good reference photos out there but nothing completely prefect for a 3D model outline. I turn to Ai to help me out....
Sankarasanjeevi MAccountability Group
Cavalry Poster Generator 🔀
Created this countdown animation, really enjoying Cavalry so far and excited to dive into the next lessons! This is my first version of the homework.
Bhagyashree JainShare Your Work
Explainer Camp: Done!✅
I finally finished my final project for Explainer Camp, and I couldn't be happier to cross the finish line. This course is no joke, but the growth feel completely worth it. Here is my final explainer video for Veruna....
Anne Saint-LouisPrompts & Collabs
MOTION COLLABS
Hello! I wanted to share this Motion Collabs video that just dropped. 25 animators from around the world (I'm one of them!) came together to animate a segment set to Earth, Wind & Fire's "Shining Star....
Kelly GrauDiscussion
I've Upgraded!
After years and years of slower computers that did their best, I am so proud to introduce her! lol. The best feeling I’ve had this entire year is getting a beast of a machine to spoil myself with render times…....
Pawel KaniaShare Your Work
Finall Boss
Just finished my design bootcamp, and this is the final boss... I don’t know what to think in this era of crazy AI, but this kind of hands-on, craft work is definitely way more satisfying and educational....
Brian RosenfieldShare Your Work
Animation Bootcamp: Eyes Go Here
Just wrapped this one up. It was the most satisfying project to work on yet. The mission was clear, the styles frames were cool, and I learned a ton....
The jobs board
We find the best leads so you don't have to.
Every listing on our jobs board is hand-picked. Our network sends us roles before they're posted anywhere. Students send in leads. And we scour every major jobs board on earth and pull the best ones the day they go live. Studios actively seek out School of Motion graduates, and members with verified credentials have a leg up before the conversation even starts.
Motion Designer at AnthropicBrand motion · AI product storytelling
Art Director at Adobe (Remote)Art direction · Remote contractor
Senior Motion Graphics Designer at CNN (New York)Senior motion · Digital and social
Motion Designer at OddfellowsJunior to mid-level · Studio teamBjorn ScholmaJason KnoetzeNikunj ShuklaSebastian Aparicio Mac LeanAnne KahnGenesis LobosKat TarsouliBrit KohlsJuliana UrregoThat before/after is wild.Miritte Ben YitzchakCan you show the graph editor on that ease?Alex BozkhoOhhh, I always overcomplicate that transition.Ece ErogluThe silhouette note just fixed my whole shot.Live every week
Real artists. On camera. Looking at your work.
Every month we host live portfolio reviews where your actual reel gets critiqued on screen, workshops with working pros covering every corner of the craft, and Office Hours to ask anything. Every session is recorded and lives in the replay library, so you never miss a thing.
Student transformations
Real artists. Real career momentum.
Students use School of Motion to level up, land work, move into senior roles, and build the kind of momentum that changes a career.Want proof? Click the play button below.
:quality(82))
It's definitely helped me with my freelance career. I'm still building up my portfolio to get other jobs, but this class has totally helped me feel more comfortable with the programs. School of Motion has really just changed my life.
:quality(82))
Through the curriculum and the education that I've received at School of Motion, I've been able to work up into a senior role.
:quality(82))
Everything I've done on this course is definitely more than I ever learnt in university.
:quality(82))
I now have a job as a full-time graphic designer for a company based out of Miami, and the reason I got that job was that when they sent me the assessment, I decided to animate it.
:quality(82))
What that resulted in is our editors going from being able to edit video to becoming tremendous animators.
:quality(82))
I spent about four years learning by myself, and I never got a nice flow animating. I wasn't happy with how I animated. Then I took Animation Bootcamp, and it helped me a lot to understand the principles of animation.
:quality(82))
I feel like I'm getting really thorough training, and not just in the software but in the thinking and learning about general motion graphic design.
:quality(82))
I learned so much about designing specifically for animation, and that was something I didn't have experience with.
:quality(82))
After taking this course, I can see the path toward getting more experience.
:quality(82))
I went from basically being a full-time video guy to a guy that does After Effects and Cinema 4D and stop motion and illustration and a little bit of everything. I'm not sure that ever would've happened if I hadn't stumbled upon School of Motion.
:quality(82))
A year later, after the course, I'm now moving on to another job with bigger prospects, bigger projects, and bigger clients, which is really exciting.
:quality(82))
For me, School of Motion, and in the beginning 30 Days of After Effects, was a total game changer in my career.
:quality(82))
Taking Animation Bootcamp really helped unlock a lot of the principles that helped me work faster and get a better result faster.
:quality(82))
It has really pushed me to another level. It helped me land my first gig as a freelancer and opened up loads of doors.
:quality(82))
The Kickstarter class was instrumental in changing what I'm doing with my career now.
:quality(82))
I'm now at my second advertising agency, and I've been fortunate enough to work on brands such as Lego, Capital One, and Pepsi.
:quality(82))
Not only have these courses given me the skills to get hired in the world of motion design, they've also given me the knowledge to dive deeper into areas I'm passionate about.
:quality(82))
Rather than commissioning an illustrator, I decided to try the course and see if it gave me the skills. It did. It was fantastic. It was amazing.
:quality(82))
My career has just kept progressing so much since I decided to take a School of Motion course.
:quality(82))
It gave me so much more understanding of what needs to be done. I know what to ask the lighting department.
:quality(82))
I ended up redoing my portfolio and demo reel and updating my previous motion pieces, and at my current job my title went from just graphic designer to multimedia designer/animation analyst.
:quality(82))
It has helped me progress with freelancing in less than a year. I have some clients now, and I'm continuing to chase even more.
It's definitely helped me with my freelance career. I'm still building up my portfolio to get other jobs, but this class has totally helped me feel more comfortable with the programs. School of Motion has really just changed my life.
Through the curriculum and the education that I've received at School of Motion, I've been able to work up into a senior role.
Everything I've done on this course is definitely more than I ever learnt in university.
I now have a job as a full-time graphic designer for a company based out of Miami, and the reason I got that job was that when they sent me the assessment, I decided to animate it.
What that resulted in is our editors going from being able to edit video to becoming tremendous animators.
I spent about four years learning by myself, and I never got a nice flow animating. I wasn't happy with how I animated. Then I took Animation Bootcamp, and it helped me a lot to understand the principles of animation.
I feel like I'm getting really thorough training, and not just in the software but in the thinking and learning about general motion graphic design.
I learned so much about designing specifically for animation, and that was something I didn't have experience with.
After taking this course, I can see the path toward getting more experience.
I went from basically being a full-time video guy to a guy that does After Effects and Cinema 4D and stop motion and illustration and a little bit of everything. I'm not sure that ever would've happened if I hadn't stumbled upon School of Motion.
A year later, after the course, I'm now moving on to another job with bigger prospects, bigger projects, and bigger clients, which is really exciting.
For me, School of Motion, and in the beginning 30 Days of After Effects, was a total game changer in my career.
Taking Animation Bootcamp really helped unlock a lot of the principles that helped me work faster and get a better result faster.
It has really pushed me to another level. It helped me land my first gig as a freelancer and opened up loads of doors.
The Kickstarter class was instrumental in changing what I'm doing with my career now.
I'm now at my second advertising agency, and I've been fortunate enough to work on brands such as Lego, Capital One, and Pepsi.
Not only have these courses given me the skills to get hired in the world of motion design, they've also given me the knowledge to dive deeper into areas I'm passionate about.
Rather than commissioning an illustrator, I decided to try the course and see if it gave me the skills. It did. It was fantastic. It was amazing.
My career has just kept progressing so much since I decided to take a School of Motion course.
It gave me so much more understanding of what needs to be done. I know what to ask the lighting department.
I ended up redoing my portfolio and demo reel and updating my previous motion pieces, and at my current job my title went from just graphic designer to multimedia designer/animation analyst.
It has helped me progress with freelancing in less than a year. I have some clients now, and I'm continuing to chase even more.
:quality(82))
The course paid for itself while I was still taking it, because I got a project I wouldn't have been able to do at all before taking it.
:quality(82))
I did multiple pieces at the American Dental Association that went on to win awards from the Daveys, the Telly Awards, the W3 Awards, and the Communicator Awards.
:quality(82))
Now, four years later, I'm making a living as a motion graphics artist just by doing School of Motion courses.
:quality(82))
School of Motion has really given me the confidence to speak up and get out there and really feel like a designer, like a motion designer.
:quality(82))
With my business right now, I'm on my third client, and I'm getting faster and faster with my workflow.
:quality(82))
When I'm working on group projects, clients look to me as the example for the other animators on what to do.
:quality(82))
Having taken it as a full-time employee, I think it's really set me apart from some of my peers.
:quality(82))
I bring in a lot more freelance work now, specifically for 3D.
:quality(82))
I got my first job in the business working as an assistant for a company in Los Angeles that primarily makes movie trailers. A year and a half later, I'm working full-time as a motion graphics artist.
:quality(82))
I felt myself level up not only in what I was able to offer my clients, but also in the type of personal work I'd do.
:quality(82))
In about 14 weeks I went from zero to booking jobs, animating and doing illustration with Cinema 4D.
:quality(82))
I finally learned the techniques I needed, combined with some software tips and tricks, to turn those sketches into finished illustrations ready to animate.
:quality(82))
I keep getting better, and I'm pretty much booked nonstop. I actually have to turn away work now.
:quality(82))
I'm now a full-time freelancer. I do this full time, and it's thanks to School of Motion.
:quality(82))
Once I learned how to use the graph editor, it just demystified how to make things move.
:quality(82))
Animation Bootcamp gave me the proper foundation and confidence to create good animation, not just for myself and my designer friends, but especially for my clients.
:quality(82))
When I got to my job, I was very qualified to do it and able to focus on the storytelling and the actual message we were creating.
:quality(82))
I don't have to spend another $10,000 or more to attend motion school. You guys already made this fantastic online program for us to learn new skills.
:quality(82))
School of Motion should be considered the industry standard for people in our profession.
:quality(82))
I've got this opportunity now to create puppets for a TV series in South Africa. I never thought I'd ever do something like that.
:quality(82))
The biggest effect it had for me was just demystifying it, not getting frustrated anymore and knowing that I can do it.
:quality(82))
By the end of the course, you'll have seen immense growth in your skill set from where you started, and it's really rewarding.
The course paid for itself while I was still taking it, because I got a project I wouldn't have been able to do at all before taking it.
I did multiple pieces at the American Dental Association that went on to win awards from the Daveys, the Telly Awards, the W3 Awards, and the Communicator Awards.
Now, four years later, I'm making a living as a motion graphics artist just by doing School of Motion courses.
School of Motion has really given me the confidence to speak up and get out there and really feel like a designer, like a motion designer.
With my business right now, I'm on my third client, and I'm getting faster and faster with my workflow.
When I'm working on group projects, clients look to me as the example for the other animators on what to do.
Having taken it as a full-time employee, I think it's really set me apart from some of my peers.
I bring in a lot more freelance work now, specifically for 3D.
I got my first job in the business working as an assistant for a company in Los Angeles that primarily makes movie trailers. A year and a half later, I'm working full-time as a motion graphics artist.
I felt myself level up not only in what I was able to offer my clients, but also in the type of personal work I'd do.
In about 14 weeks I went from zero to booking jobs, animating and doing illustration with Cinema 4D.
I finally learned the techniques I needed, combined with some software tips and tricks, to turn those sketches into finished illustrations ready to animate.
I keep getting better, and I'm pretty much booked nonstop. I actually have to turn away work now.
I'm now a full-time freelancer. I do this full time, and it's thanks to School of Motion.
Once I learned how to use the graph editor, it just demystified how to make things move.
Animation Bootcamp gave me the proper foundation and confidence to create good animation, not just for myself and my designer friends, but especially for my clients.
When I got to my job, I was very qualified to do it and able to focus on the storytelling and the actual message we were creating.
I don't have to spend another $10,000 or more to attend motion school. You guys already made this fantastic online program for us to learn new skills.
School of Motion should be considered the industry standard for people in our profession.
I've got this opportunity now to create puppets for a TV series in South Africa. I never thought I'd ever do something like that.
The biggest effect it had for me was just demystifying it, not getting frustrated anymore and knowing that I can do it.
By the end of the course, you'll have seen immense growth in your skill set from where you started, and it's really rewarding.
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Both plans get the same All-Access membership. There's more inside than anyone could get through in a year... Annual is just the better price for how people actually use it.
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30-day money-back guaranteeTry All-Access for 30 days. If it's not the right fit, email us and we'll refund you. No weird hoops.
For teams of 3 or more
We are the training layer for your entire team
Floating seats, team dashboards, custom learning paths, and onboarding built for studios and in-house teams.
Your artists will love you.
Questions before you jump in?
Your reel a year from now depends on what you do today.
Join All-AccessAll-Access · 30-day guaranteeStart risk-free