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Advanced · RiveRive Academy Data Binding
Make Rive respond to the real world. Build a six-page interactive Year in Motion experience that turns runtime data into responsive layouts, changing content, animation, and behavior.
11.5+ hrsCourse training
1 projectWork you make
UnlimitedCritique
CredentialIf completed
The School of Motion difference
Not Like Other
Online Schools
Human Feedback
Get unlimited feedback when your work needs eyes.
24/7 Community
A global studio floor open whenever momentum dips.
Live Learning
Monthly Live Workshops and Portfolio Reviews.
Credentials
Verified proof that you finished the work.
Course curriculum
The lessons are built to make it all click.
Learn to make Rive projects work when names, numbers, images, colors, and lists change. You will plan view models, bind them to responsive components and state machines, then build and test a six-page Year in Motion recap that responds to live data. Finish with a reusable Rive file and the practical mental model to collaborate with runtime code.
Meet your instructor
Leo Mazzei
Originally from Brazil and now based in Ontario, Canada, Leo Mazzei works as a Design Systems Motion Designer at eBay. There, he collaborates directly with engineers to implement motion in the product and shape how it fits within a larger design system. His broader Rive work includes expressive UI component libraries, small games, game interfaces, and runtime implementations. He teaches through Rive’s underlying mental model, helping students understand how the pieces work together before they start pressing buttons. Leo made his first tutorial at 14, explaining how to host a fan-run Tibia server. Somehow, it all led here. He remains committed to sharing what he learns and keeping every project suspiciously well organized.
Social proof
Trusted by Artists & Teams Around the World.
Student outcomes
Real Artists. Real Change.
:quality(82))
It's definitely helped me with my freelance career. I'm still building up my portfolio to get other jobs, but this class has totally helped me feel more comfortable with the programs. School of Motion has really just changed my life.
:quality(82))
Through the curriculum and the education that I've received at School of Motion, I've been able to work up into a senior role.
:quality(82))
Everything I've done on this course is definitely more than I ever learnt in university.
:quality(82))
I now have a job as a full-time graphic designer for a company based out of Miami, and the reason I got that job was that when they sent me the assessment, I decided to animate it.
:quality(82))
What that resulted in is our editors going from being able to edit video to becoming tremendous animators.
:quality(82))
I spent about four years learning by myself, and I never got a nice flow animating. I wasn't happy with how I animated. Then I took Animation Bootcamp, and it helped me a lot to understand the principles of animation.
:quality(82))
I feel like I'm getting really thorough training, and not just in the software but in the thinking and learning about general motion graphic design.
:quality(82))
I learned so much about designing specifically for animation, and that was something I didn't have experience with.
:quality(82))
After taking this course, I can see the path toward getting more experience.
:quality(82))
I went from basically being a full-time video guy to a guy that does After Effects and Cinema 4D and stop motion and illustration and a little bit of everything. I'm not sure that ever would've happened if I hadn't stumbled upon School of Motion.
:quality(82))
A year later, after the course, I'm now moving on to another job with bigger prospects, bigger projects, and bigger clients, which is really exciting.
:quality(82))
For me, School of Motion, and in the beginning 30 Days of After Effects, was a total game changer in my career.
:quality(82))
Taking Animation Bootcamp really helped unlock a lot of the principles that helped me work faster and get a better result faster.
:quality(82))
It has really pushed me to another level. It helped me land my first gig as a freelancer and opened up loads of doors.
:quality(82))
The Kickstarter class was instrumental in changing what I'm doing with my career now.
:quality(82))
I'm now at my second advertising agency, and I've been fortunate enough to work on brands such as Lego, Capital One, and Pepsi.
:quality(82))
Not only have these courses given me the skills to get hired in the world of motion design, they've also given me the knowledge to dive deeper into areas I'm passionate about.
:quality(82))
Rather than commissioning an illustrator, I decided to try the course and see if it gave me the skills. It did. It was fantastic. It was amazing.
:quality(82))
My career has just kept progressing so much since I decided to take a School of Motion course.
:quality(82))
It gave me so much more understanding of what needs to be done. I know what to ask the lighting department.
:quality(82))
I ended up redoing my portfolio and demo reel and updating my previous motion pieces, and at my current job my title went from just graphic designer to multimedia designer/animation analyst.
:quality(82))
It has helped me progress with freelancing in less than a year. I have some clients now, and I'm continuing to chase even more.
It's definitely helped me with my freelance career. I'm still building up my portfolio to get other jobs, but this class has totally helped me feel more comfortable with the programs. School of Motion has really just changed my life.
Through the curriculum and the education that I've received at School of Motion, I've been able to work up into a senior role.
Everything I've done on this course is definitely more than I ever learnt in university.
I now have a job as a full-time graphic designer for a company based out of Miami, and the reason I got that job was that when they sent me the assessment, I decided to animate it.
What that resulted in is our editors going from being able to edit video to becoming tremendous animators.
I spent about four years learning by myself, and I never got a nice flow animating. I wasn't happy with how I animated. Then I took Animation Bootcamp, and it helped me a lot to understand the principles of animation.
I feel like I'm getting really thorough training, and not just in the software but in the thinking and learning about general motion graphic design.
I learned so much about designing specifically for animation, and that was something I didn't have experience with.
After taking this course, I can see the path toward getting more experience.
I went from basically being a full-time video guy to a guy that does After Effects and Cinema 4D and stop motion and illustration and a little bit of everything. I'm not sure that ever would've happened if I hadn't stumbled upon School of Motion.
A year later, after the course, I'm now moving on to another job with bigger prospects, bigger projects, and bigger clients, which is really exciting.
For me, School of Motion, and in the beginning 30 Days of After Effects, was a total game changer in my career.
Taking Animation Bootcamp really helped unlock a lot of the principles that helped me work faster and get a better result faster.
It has really pushed me to another level. It helped me land my first gig as a freelancer and opened up loads of doors.
The Kickstarter class was instrumental in changing what I'm doing with my career now.
I'm now at my second advertising agency, and I've been fortunate enough to work on brands such as Lego, Capital One, and Pepsi.
Not only have these courses given me the skills to get hired in the world of motion design, they've also given me the knowledge to dive deeper into areas I'm passionate about.
Rather than commissioning an illustrator, I decided to try the course and see if it gave me the skills. It did. It was fantastic. It was amazing.
My career has just kept progressing so much since I decided to take a School of Motion course.
It gave me so much more understanding of what needs to be done. I know what to ask the lighting department.
I ended up redoing my portfolio and demo reel and updating my previous motion pieces, and at my current job my title went from just graphic designer to multimedia designer/animation analyst.
It has helped me progress with freelancing in less than a year. I have some clients now, and I'm continuing to chase even more.
:quality(82))
The course paid for itself while I was still taking it, because I got a project I wouldn't have been able to do at all before taking it.
:quality(82))
I did multiple pieces at the American Dental Association that went on to win awards from the Daveys, the Telly Awards, the W3 Awards, and the Communicator Awards.
:quality(82))
Now, four years later, I'm making a living as a motion graphics artist just by doing School of Motion courses.
:quality(82))
School of Motion has really given me the confidence to speak up and get out there and really feel like a designer, like a motion designer.
:quality(82))
With my business right now, I'm on my third client, and I'm getting faster and faster with my workflow.
:quality(82))
When I'm working on group projects, clients look to me as the example for the other animators on what to do.
:quality(82))
Having taken it as a full-time employee, I think it's really set me apart from some of my peers.
:quality(82))
I bring in a lot more freelance work now, specifically for 3D.
:quality(82))
I got my first job in the business working as an assistant for a company in Los Angeles that primarily makes movie trailers. A year and a half later, I'm working full-time as a motion graphics artist.
:quality(82))
I felt myself level up not only in what I was able to offer my clients, but also in the type of personal work I'd do.
:quality(82))
In about 14 weeks I went from zero to booking jobs, animating and doing illustration with Cinema 4D.
:quality(82))
I finally learned the techniques I needed, combined with some software tips and tricks, to turn those sketches into finished illustrations ready to animate.
:quality(82))
I keep getting better, and I'm pretty much booked nonstop. I actually have to turn away work now.
:quality(82))
I'm now a full-time freelancer. I do this full time, and it's thanks to School of Motion.
:quality(82))
Once I learned how to use the graph editor, it just demystified how to make things move.
:quality(82))
Animation Bootcamp gave me the proper foundation and confidence to create good animation, not just for myself and my designer friends, but especially for my clients.
:quality(82))
When I got to my job, I was very qualified to do it and able to focus on the storytelling and the actual message we were creating.
:quality(82))
I don't have to spend another $10,000 or more to attend motion school. You guys already made this fantastic online program for us to learn new skills.
:quality(82))
School of Motion should be considered the industry standard for people in our profession.
:quality(82))
I've got this opportunity now to create puppets for a TV series in South Africa. I never thought I'd ever do something like that.
:quality(82))
The biggest effect it had for me was just demystifying it, not getting frustrated anymore and knowing that I can do it.
:quality(82))
By the end of the course, you'll have seen immense growth in your skill set from where you started, and it's really rewarding.
The course paid for itself while I was still taking it, because I got a project I wouldn't have been able to do at all before taking it.
I did multiple pieces at the American Dental Association that went on to win awards from the Daveys, the Telly Awards, the W3 Awards, and the Communicator Awards.
Now, four years later, I'm making a living as a motion graphics artist just by doing School of Motion courses.
School of Motion has really given me the confidence to speak up and get out there and really feel like a designer, like a motion designer.
With my business right now, I'm on my third client, and I'm getting faster and faster with my workflow.
When I'm working on group projects, clients look to me as the example for the other animators on what to do.
Having taken it as a full-time employee, I think it's really set me apart from some of my peers.
I bring in a lot more freelance work now, specifically for 3D.
I got my first job in the business working as an assistant for a company in Los Angeles that primarily makes movie trailers. A year and a half later, I'm working full-time as a motion graphics artist.
I felt myself level up not only in what I was able to offer my clients, but also in the type of personal work I'd do.
In about 14 weeks I went from zero to booking jobs, animating and doing illustration with Cinema 4D.
I finally learned the techniques I needed, combined with some software tips and tricks, to turn those sketches into finished illustrations ready to animate.
I keep getting better, and I'm pretty much booked nonstop. I actually have to turn away work now.
I'm now a full-time freelancer. I do this full time, and it's thanks to School of Motion.
Once I learned how to use the graph editor, it just demystified how to make things move.
Animation Bootcamp gave me the proper foundation and confidence to create good animation, not just for myself and my designer friends, but especially for my clients.
When I got to my job, I was very qualified to do it and able to focus on the storytelling and the actual message we were creating.
I don't have to spend another $10,000 or more to attend motion school. You guys already made this fantastic online program for us to learn new skills.
School of Motion should be considered the industry standard for people in our profession.
I've got this opportunity now to create puppets for a TV series in South Africa. I never thought I'd ever do something like that.
The biggest effect it had for me was just demystifying it, not getting frustrated anymore and knowing that I can do it.
By the end of the course, you'll have seen immense growth in your skill set from where you started, and it's really rewarding.
All-Access advantage
Five reasons this feels different from watching tutorials alone.
Unlimited feedback
Get unstuck with human critique.
Submit work, get notes, revise with confidence. The difference is not more content; it is knowing what to change next.Live workshops & portfolio reviews
Get mentored by working pros.
Join live sessions, bring your questions, and pressure-test the work you want to show clients or employers.
Bjorn Scholma
Jason Knoetze
Nikunj Shukla
Sebastian Aparicio Mac Lean
Anne Kahn
Genesis Lobos
Kat Tarsouli
Brit Kohls
Juliana UrregoThat before/after is wild.
Miritte Ben YitzchakCan you show the graph editor on that ease?
Alex BozkhoOhhh, I always overcomplicate that transition.
Ece ErogluThe silhouette note just fixed my whole shot.
Isidora RamirezShare Your Work
Far Out Games
Pretty happy with this assigment c:
Michael LubrinShare Your Work
My first homework!
Finally giving myself time to learn After Effects. I’ve been loving the Kickstart course so far. Here’s my first homework 😁
Alex WalshDiscussion
Using Ai to make orthographic views for 3D modeling
I have this goal to 3D model the turtle van from the ninja turtles. There are some good reference photos out there but nothing completely prefect for a 3D model outline. I turn to Ai to help me out....
Sankarasanjeevi MAccountability Group
Cavalry Poster Generator 🔀
Created this countdown animation, really enjoying Cavalry so far and excited to dive into the next lessons! This is my first version of the homework.
Bhagyashree JainShare Your Work
Explainer Camp: Done!✅
I finally finished my final project for Explainer Camp, and I couldn't be happier to cross the finish line. This course is no joke, but the growth feel completely worth it. Here is my final explainer video for Veruna....
Anne Saint-LouisPrompts & Collabs
MOTION COLLABS
Hello! I wanted to share this Motion Collabs video that just dropped. 25 animators from around the world (I'm one of them!) came together to animate a segment set to Earth, Wind & Fire's "Shining Star....
Kelly GrauDiscussion
I've Upgraded!
After years and years of slower computers that did their best, I am so proud to introduce her! lol. The best feeling I’ve had this entire year is getting a beast of a machine to spoil myself with render times…....
Pawel KaniaShare Your Work
Finall Boss
Just finished my design bootcamp, and this is the final boss... I don’t know what to think in this era of crazy AI, but this kind of hands-on, craft work is definitely way more satisfying and educational....
Brian RosenfieldShare Your Work
Animation Bootcamp: Eyes Go Here
Just wrapped this one up. It was the most satisfying project to work on yet. The mission was clear, the styles frames were cool, and I learned a ton....
Build your network
Join a real motion design community.
Find collaborators, get accountability, celebrate wins, and stop learning in isolation.Verified credentials
Finish with proof you can share.
Completed courses unlock credentials that show you finished the assignments, not just watched the lessons.
:quality(78))
:quality(82)){kind=icon}
:quality(82)){kind=icon}
Lights, Camera, Render:quality(78))
DADavid Ariew
DADavid Ariew:quality(78))
:quality(82)){kind=icon}
:quality(82)){kind=icon}
:quality(82)){kind=icon}
:quality(82)){kind=icon}
The Path to MoGraph:quality(78))
JKJoey Korenman
JKJoey Korenman:quality(78))
Level Up:quality(78))
RSRyan Summers
RSRyan Summers:quality(78))
Premiere for Motion Designers:quality(78))
KHKyle Hamrick
KHKyle Hamrick:quality(78))
:quality(82)){kind=icon}
:quality(82)){kind=icon}
Rive Academy KickstartJKJoey Korenman
JKJoey Korenman:quality(78))
:quality(82)){kind=icon}
UX Animation Essentials:quality(78))
IWIvan Witteborg
IWIvan Witteborg:quality(78))
:quality(82)){kind=icon}
Illustration for Motion:quality(78))
SBSarah Beth Morgan
SBSarah Beth Morgan:quality(78))
:quality(82)){kind=icon}
Cavalry Kickstart:quality(78))
GSGreg Stewart
GSGreg Stewart:quality(78))
How to Create Brilliant Shots:quality(78))
NDNidia Dias
NDNidia Dias:quality(78))
Rive Academy Data Binding:quality(78))
LMLeo Mazzei
LMLeo Mazzei:quality(78))
Photoshop + Illustrator Unleashed:quality(78))
JBJake Bartlett
JBJake Bartlett:quality(78))
:quality(82)){kind=icon}
Unreal Engine for 3D Artists:quality(78))
JWJonathan Winbush
JWJonathan Winbush:quality(78))
:quality(82)){kind=icon}
Substance Painter for Motion Designers:quality(78))
EHEJ Hassenfratz
EHEJ Hassenfratz:quality(78))
Cinema 4D InsiderEHEJ Hassenfratz
EHEJ Hassenfratz:quality(78))
Unreal Engine for Broadcast DesignJWJonathan Winbush
JWJonathan Winbush:quality(78))
The Art of Spontaneous Filmmaking:quality(78))
JEJohan Eriksson
JEJohan Eriksson:quality(78))
Mogrt Mania:quality(78))
MWMorgan Williams
MWMorgan Williams:quality(78))
The Curious Craft of Demo Reel Titles:quality(78))
SSSekani Solomon
SSSekani Solomon:quality(78))
Rive Academy: Volume 2JKJoey Korenman
JKJoey Korenman:quality(78))
:quality(82)){kind=icon}
AI Foundations for MotionJKJoey Korenman
JKJoey Korenman:quality(78))
:quality(82)){kind=icon}
Grease Pencil Field Guide:quality(78))
ESElijah Sheffield
ESElijah Sheffield:quality(78))
The Essential Ingredients to Creating Stylized 3D:quality(78))
JLJonathan Lindgren
JLJonathan Lindgren:quality(78))
VFX for Motion:quality(78))
MCMark Christiansen
MCMark Christiansen:quality(78))
The Client CodeJKJoey Korenman
JKJoey KorenmanLights, Camera, RenderDADavid Ariew
DADavid AriewThe Path to MoGraphJKJoey Korenman
JKJoey KorenmanLevel UpRSRyan Summers
RSRyan SummersPremiere for Motion DesignersKHKyle Hamrick
KHKyle HamrickRive Academy KickstartJKJoey Korenman
JKJoey KorenmanUX Animation EssentialsIWIvan Witteborg
IWIvan WitteborgIllustration for MotionSBSarah Beth Morgan
SBSarah Beth MorganCavalry KickstartGSGreg Stewart
GSGreg StewartHow to Create Brilliant ShotsNDNidia Dias
NDNidia DiasRive Academy Data BindingLMLeo Mazzei
LMLeo MazzeiPhotoshop + Illustrator UnleashedJBJake Bartlett
JBJake BartlettUnreal Engine for 3D ArtistsJWJonathan Winbush
JWJonathan WinbushSubstance Painter for Motion DesignersEHEJ Hassenfratz
EHEJ HassenfratzCinema 4D InsiderEHEJ Hassenfratz
EHEJ HassenfratzUnreal Engine for Broadcast DesignJWJonathan Winbush
JWJonathan WinbushThe Art of Spontaneous FilmmakingJEJohan Eriksson
JEJohan ErikssonMogrt ManiaMWMorgan Williams
MWMorgan WilliamsThe Curious Craft of Demo Reel TitlesSSSekani Solomon
SSSekani SolomonRive Academy: Volume 2JKJoey Korenman
JKJoey KorenmanAI Foundations for MotionJKJoey Korenman
JKJoey KorenmanGrease Pencil Field GuideESElijah Sheffield
ESElijah SheffieldThe Essential Ingredients to Creating Stylized 3DJLJonathan Lindgren
JLJonathan LindgrenVFX for MotionMCMark Christiansen
MCMark ChristiansenThe Client CodeJKJoey Korenman
JKJoey KorenmanPhotoshop + Illustrator UnleashedJBJake Bartlett
JBJake BartlettHow to Create Brilliant ShotsNDNidia Dias
NDNidia DiasUX Animation EssentialsIWIvan Witteborg
IWIvan WitteborgCavalry KickstartGSGreg Stewart
GSGreg StewartRive Academy KickstartJKJoey Korenman
JKJoey KorenmanIllustration for MotionSBSarah Beth Morgan
SBSarah Beth MorganPremiere for Motion DesignersKHKyle Hamrick
KHKyle HamrickUnreal Engine for Broadcast DesignJWJonathan Winbush
JWJonathan WinbushLevel UpRSRyan Summers
RSRyan SummersVFX for MotionMCMark Christiansen
MCMark ChristiansenAI Foundations for MotionJKJoey Korenman
JKJoey KorenmanGrease Pencil Field GuideESElijah Sheffield
ESElijah SheffieldUnreal Engine for 3D ArtistsJWJonathan Winbush
JWJonathan WinbushLights, Camera, RenderDADavid Ariew
DADavid AriewThe Art of Spontaneous FilmmakingJEJohan Eriksson
JEJohan ErikssonCinema 4D InsiderEHEJ Hassenfratz
EHEJ HassenfratzRive Academy Data BindingLMLeo Mazzei
LMLeo MazzeiThe Essential Ingredients to Creating Stylized 3DJLJonathan Lindgren
JLJonathan LindgrenThe Curious Craft of Demo Reel TitlesSSSekani Solomon
SSSekani SolomonSubstance Painter for Motion DesignersEHEJ Hassenfratz
EHEJ HassenfratzThe Client CodeJKJoey Korenman
JKJoey KorenmanRive Academy: Volume 2JKJoey Korenman
JKJoey KorenmanThe Path to MoGraphJKJoey Korenman
JKJoey KorenmanMogrt ManiaMWMorgan Williams
MWMorgan WilliamsPhotoshop + Illustrator UnleashedJBJake Bartlett
JBJake BartlettHow to Create Brilliant ShotsNDNidia Dias
NDNidia DiasUX Animation EssentialsIWIvan Witteborg
IWIvan WitteborgCavalry KickstartGSGreg Stewart
GSGreg StewartRive Academy KickstartJKJoey Korenman
JKJoey KorenmanIllustration for MotionSBSarah Beth Morgan
SBSarah Beth MorganPremiere for Motion DesignersKHKyle Hamrick
KHKyle HamrickUnreal Engine for Broadcast DesignJWJonathan Winbush
JWJonathan WinbushLevel UpRSRyan Summers
RSRyan SummersVFX for MotionMCMark Christiansen
MCMark ChristiansenAI Foundations for MotionJKJoey Korenman
JKJoey KorenmanGrease Pencil Field GuideESElijah Sheffield
ESElijah SheffieldUnreal Engine for 3D ArtistsJWJonathan Winbush
JWJonathan WinbushLights, Camera, RenderDADavid Ariew
DADavid AriewThe Art of Spontaneous FilmmakingJEJohan Eriksson
JEJohan ErikssonCinema 4D InsiderEHEJ Hassenfratz
EHEJ HassenfratzRive Academy Data BindingLMLeo Mazzei
LMLeo MazzeiThe Essential Ingredients to Creating Stylized 3DJLJonathan Lindgren
JLJonathan LindgrenThe Curious Craft of Demo Reel TitlesSSSekani Solomon
SSSekani SolomonSubstance Painter for Motion DesignersEHEJ Hassenfratz
EHEJ HassenfratzThe Client CodeJKJoey Korenman
JKJoey KorenmanRive Academy: Volume 2JKJoey Korenman
JKJoey KorenmanThe Path to MoGraphJKJoey Korenman
JKJoey KorenmanMogrt ManiaMWMorgan Williams
MWMorgan WilliamsEvery course included
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